Essays and Op-eds
Documentary: Memory Cyborgs and the History that Can be Experienced
The Dignity of the Cinema: The Cultural Revolution Narrative in Chinese Films of the 1980s
Mi Jishan’s 1980s: The Prequel of Chinese Independent Cinema
On Zhu Chuanming’s Films: The Second Meet with Reality
Cinematic Tibetan and Tibetan Cinema
Film Illuminaing Social History: from Tiexi District to West of the Tracks
Imagery of Hong Kong: Impression on Hong Kong Independent Cinema
New Nomad Films of Xu Tong
Moralised Image: Hu Jie’s Films
Local Narrative and the Glory of Documentary
Memory Preservation and Self-empowerment
The Emerging Subjectivity: Observations on Chinese Independent Documentary in the Past 20 Years
Politics of Film and Cultural Dilemma of Chinese Cinema
The Spirit of Contract in Chinese Independent Documentary
Documentary and China’s Modernity
On Film Festivals
In the Year of 2000: Past Stories of the Practice Society
Ou Ning and U-thèque
